Adventures of a “Papalfa”

 

I had a dream. It was night and the headlights of a car illuminated a gate of a country house. It was as if I was looking at them sideways at their height, as if I were a child. I felt that feeling of security and warmth of going home with your family, a very positive feeling that was imprinted on me with that same image of the dream. The car headlights were round and chrome. There were four of them. In the middle was a V-shaped grille with a round logo on the top that always reminded me of a time when life was different, it had another, more natural rhythm. A time when when you were traveling or simply taking a ride you were untraceable and to call someone you had to look for a pay phone. It was also the most glorious period of the brand of that logo and I associate it with my childhood and a pre-digital period, with more human rhythms. It was the Alfa Romeo logo on a front panel typical of those years: Oo=V=oO.

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Things change…

 

Things change. Life is a becoming. What happens has consequences. It’s natural. The big changes in life, those that leave a mark, that cause the greatest stress and therefore require a greater readjustment of a person’s life, come sooner or later for everyone: bereavements, changes or loss of jobs, relocations, marriages and separations, births of children. They are both positive and negative stress. You are no longer the same when you become a parent, nor when you lose a loved one. As far as my life is concerned, the most beautiful and intense positive stress was the birth of my son: I discovered that you can’t describe how you feel, you only understand it when it happens to you; the feeling I describe to those who ask me is that I felt finally “complete”. So far the worst negative stress that has happened to me has been the loss of my job.

Two things made it heavier than it normally is: the struggle and sacrifices I made to get to the job I dreamed of and the critical age at which I lost it, shortly after I was 50. It was like being in no man’s land, too young to retire, too old to be hired again.

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My fundamental records

 

I was born and raised in Italy and obviously I have been exposed to our musical culture. I’ve been humming songs since before going to school. I also sang the musical parts, for the fun of the many uncles and aunts who buzzed around me. Then I started putting my hands on a toy keyboard and finally got to the guitar around the age of 11. Of course I played the Italian songs I listened to on the radio. But a voice inside me told me I needed something more…

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I have no words….

 

I’ve spent some money in the past on turntable cartridges and styli. It’s nothing exaggerated, it’s not a typical feature of mine, I’m not a serial collector and I don’t buy things just for the sake of it; I only do it if I need something. So I spent what today would be about 200e for the first serious cartridge I had, a Grado Prestige Gold first series. To replace the stylus years later I spent I think a hundred euros. Then I read about the performance of the 8MZ replacement stylus and spent 150 Euros between cost and shipping. So I wanted to try a Signature Series body and found a used 8MX for 100 euros. Recently I wanted to try a Grado Prestige Black 2 stylus on the Gold 0 body. About $50. As you can see, nothing transcendental or impossible.

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A Signature Story (remembering a man I never met)

 

My two and a half readers should know I am fond of Grado cartridges for reasons that go beyond the inherent value and performance. Soon after I started spinning vinyl records again, I wanted a cartridge my Thorens turntable deserved. I asked for advice on TNT-Audio and among the various brand names among which I was solicited to search there was Grado. I already had amazing Grado headphones. The Italian name also kind of attracted me, so I went for the top of the Prestige line, the first edition of the Gold cartridge. Many years later I learned it was loaded with an 8MZ-v stylus. It must have been a mistake at Grado Labs while assembling the very specimen that would find its way to my address. Much, much later I discovered the 8MZ was considered a noticeable upgrade for Prestige cartridges. For years, I ran that cartridge with no realization about this. I didn’t even know how important was to correctly setup a floating chassis turntable like the Thorens. I finally consumed the stylus I though was just a Gold 0 and replaced with a then new Gold1 stylus. That’s when I discovered the Audiokarma forum.

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How Mountains are Made

 

The surface of our planet varies greatly in altitude. In fact about ¾ are covered by seawater, whose average level has been conventionally chosen as a reference for the surface elevations. The statistical analysis of the elevations of the earth’s surface shows us something interesting: the highest percentage of the elevations is around two particular values that are the average level of the ocean floor (about -3790) and the average level of the emerged lands (about 840 m).

On the relative graph of the percentage distribution of the areas with respect to the altitudes, called “hypsographic curve”, it can be noted that the portions of surface that reach the minimum altitudes (about -11000 m of the Mariana Trench) and the maximum ones (8850 m of Mount Everest) are a very small fraction of the total.

In a nutshell, the mountain ranges are almost an exception, as are the oceanic trenches, on the surface of the Earth. They appear in so-called belts, which are considerably more developed in one direction than in the other. But what is it that keeps them standing at such exceptional altitudes compared to most of the land above ground?

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